09 Sep A Yellow Rose Project: Response to the 19th Amendment
Votes for Women 1920/2020, Wearable Cyanotype Buttons © Lisa McCarty
A YELLOW ROSE PROJECT
Photographs by 100+ Women in Response to the 19th Amendment
CURATED BY MEG GRIFFITHS & FRANCES JAKUBEK
October 9 – November 21, 2020
COLORADO PHOTOGRAPHIC ARTS CENTER (1070 BANNOCK ST, DENVER, CO 80204)
OPENING RECEPTION & PROGRAMMING:
SATURDAY, OCTOBER 10
CPAC will offer timed entry to see the exhibition on October 10th between 4:00 – 6:30 p.m.. Register now!
Due to COVID-19, visitors are required to register for a time slot and asked to wear masks. The number of visitors in the gallery will be limited. This event is free and open to the public.
After timed entry on Saturday, October 10th at 7:00 p.m., a virtual Town Hall with the artists will take place. Jillian Allison, Director of Center for Colorado Women’s History, will be speaking about the 19th Amendment. Separate registration for this special programming is required. Sign up now!
LEADING UP TO THE VOTE
Women and the Vote: Fireside Chat Series with A Yellow Rose Project
A livestream discussion by select artists of A Yellow Rose Project on art, voting, and current political issues will take place on CPAC’s Instagram (@cpacphoto).
October 13th – Sara Bennett & Keliy Anderson-Staley
October 20th – Rana Young & Larissa Ramey
October 27th – Katelyn Kopenhaver & Carla Jay Harris
ABOUT THE EXHIBITION
August 18, 2020 marked the centennial of the 19th Amendment. It was on that day 100 years ago women wearing yellow roses stood shoulder to shoulder in Tennessee awaiting the roll call of men that would cast their votes for or against a woman’s right to a voice in government. The bright flower was an outward symbol of their expression to gain equal representation. After decades of untold risk, through oppression, brutality, incarceration, and even starvation, women fought, seemingly insurmountable odds, at the local, state and national level to gain the right to be a part of the Democratic process.
Though this movement granted rights to some women, and this achievement in itself is to be acknowledged and celebrated, the struggle did not end there. It was not until much later that all American women, regardless of race, were given the same privilege. Due to state laws and prohibitive policies, many women of color were unable to exercise their rights even given this momentous event. In light of these facts, we asked women to look back upon this part of our history from various perspectives, inviting both a critical eye as well as one that sees how far we have come.
A Yellow Rose Project is a large scale photographic collaboration made by women all across the country. A year ago, artists were invited to make work in response, reflection, or reaction to the ratification of the 19th Amendment. The goal of this project was to provide a focal point and platform for image makers to share contemporary viewpoints as we approached the centennial. Our mission in researching the complication of this anniversary was to gain a deeper understanding of American history and culture, from this moment in time, to build a bridge from the past to the present and on to the future.
This exhibition is made possible by generous support from Reed Art & Imaging and Hahnemühle.
Missed our Virtual Town Hall? Watch the recording now!
Read Statements from Select Artists
Discover more about A Yellow Rose Project
Make sure you are registered to vote!
ABOUT THE CURATORS
Meg Griffiths (b. 1980) in Indiana and raised in Texas. She received Bachelor of Arts degrees from the University of Texas in Cultural Anthropology and English Literature and earned her Master of Fine Arts in Photography from Savannah College of Art and Design. She currently lives in Denton, Texas where she is the Assistant Professor of Photography in the Department of Visual Art at Texas Woman’s University.
Meg’s photographic research currently deals with domestic, economic, historical and cultural relationships across the Southern United States and Cuba. Her work has travelled nationally as well as internationally, and is placed in collections such as Center for Creative Photography, Capital One Collection, and the Museum of Fine Arts Houston, and Center for Fine Art Photography.
Her book projects, both monographs as well as collaborative projects have been acquired by various institutions around the country such as the Metropolitan Museum of Art, Duke University Libraries, Museum of Modern Art, University of Virginia, University of Iowa, Clemsen, Maryland Institute College of Art, Ringling College of Art, and Washington and Lee University, to name a few.
She was honored as one of PDN 30’s : New and Emerging Photographers in 2012, named one of eight Emerging Photographers at Blue Spiral Gallery in 2015, Atlanta Celebrates Photography’s Ones to Watch in 2016, was awarded the Julia Margaret Cameron for Best Fine Art Series in 2017 and awarded the 2nd Place Prize at PhotoNola in 2019.
Frances Jakubek (b. 1988) is a photographer, curator and advocate for photography. She is the Director of Exhibitions and Operations at Bruce Silverstein Gallery in New York City and past Associate Curator of the Griffin Museum of Photography in Winchester, Massachusetts.
Recent curatorial appointments include I Surrender, Dear at Umbrella Arts Gallery, New York; Drawing the Line at Bruce Silverstein Gallery, New York; Grief on NY Photo Curator, and The RefridgeCurator in Boston, Massachusetts. Her personal work focuses on self-portraiture and how the body is perceived in different contexts. Her photographs have been exhibited at The Southern Contemporary Gallery in Charleston, SC; Filter Space; Chicago, IL; Camera Commons in Dover, NH; and The Hess Gallery at Pine Manor College, MA.
She has been a guest writer for various publications and for artist monographs including Serrah Russell’s tears, tears. Jakubek has been a panelist for the Massachusetts Cultural Council’s Photography fellowships, speaker for The Photo Brigade and juror for exhibitions throughout the US including United Photo Industry’s ‘The Fence’ and PDN’s ‘ The Curator Awards.’